A Full House and a Great Success!
Image: Karen Leon
Eleanor Reissa and Klezmer Brass All-Stars Whoop it Up
for Hanukkah Finale
December 16, 2015
by Masha Leon
T’was the last night of Hanukkah and the concert hall at the Center for Jewish History was packed for the Annual Chanukah Concert starring the inimitable actor-director-singer Eleanor Reissa who performed both solo and backed up by the ear-shattering, kishke churning pyrotechnics of Klezmatics founder Frank London and the Klezmer Brass All Stars.
Sponsored by The American Society for Jewish Music and The American Jewish Historical Society, the only calm, soft spoken moments were the welcoming remarks by ASJM concert chair Hadassah Markson and — briefly at piano and mic — its president Michael Leavitt.
Following Reissa’s reading [in English) of I.B. Singer’s ”The Squire” from his “The Power of Light: Eight Stories for Hanukkah”, Reissa, in a sexy short sleeveless black dress, posited: ”Why can’t there be 357 days of Hannukah? How can we carry this message forward? My best Chanukah gift is that I am with these guys.!” And then Reissa and the “All Stars” were off and running.
“I was born in a small shtetl with groz (grass) un beymalakh (trees) and children playing in the street — Brooklyn!” (Applause!) “Yiddish was my first language. Engllish I don’t speak so good” joshed Galitzianer accented Yiddish-speaking Reissa — a Tony nominated director, award wining playwright [“The Last Survivor”] and choreographer who boast a 30-years career in both Yiddish and English theater.
“I always thought there were two kinds of Jews—happy Jews and sad Jews… not the most optimistic people, but full of life…and I realized that the happy Jews [in Brooklyn] were the Italians! My mother came from I.B. Singer’s town Bilgorai and spent the war years in Tashkent [Uzbekistan].” Then, switching channels, Reissa declared: “I’m going to sing a Jewish song about being happy—but not too happy.” Intermittently she would follow a Yiddish comment with a spoofy aside that she would translate — “for my Swedish, Flemish, Pashtun friends… in the audience… who don’t understand Yiddish.”
Invoking the now gone grand divas of the Yiddish theater—“Reyzl Bozyk, Shifra Lerer, Mina Bern”—Reissa sang the classic Yiddish lament—“Farges mir nit”— do not forget me! After interpreting a song about “not so nice girls” written by Molly Picon, she lamented: “When Molly Picon gets a ‘who’? we might as well pack it up.” She also served up a nostalagic Yiddish rendition of “I Love Paris”.
The audience was enraptured and transported to other times and places-The Lower East Side, a shtetl, a Catskills bungalow or grand hotel— as Reissa churned out the oldies and goodies [in Yiddish]. Among the standouts—“Bei Mir Bistu Sheyn” (To me You are Beautiful) made famous in its English version by the Andrews Sisters) and for the finale— the classic Ladino Chanukah song about “the eight candles”— ‘Ocho Candelitas’.
For nearly two hours Reissa and Grammy-award winning trumpeter London with his “kapelie” Aaron Alexander (drums), Ron Caswell (tuba), Brian Drye trombone), Patrick Farrell (accordion) and Michael Winograd (clarinetist), took the audience on a unforgettable, joyful Chanukah journey. Post concert — what else but (zudik, heyse — sizzling hot) — latkes in the lobby.
Read more: http://forward.com/the-assimilator/327398/eleanor-reissa-and-klezmer-brass-all-stars-whoop-it-up-for-hanukkah-finale/#ixzz3wO5kwMi8
by Masha Leon
T’was the last night of Hanukkah and the concert hall at the Center for Jewish History was packed for the Annual Chanukah Concert starring the inimitable actor-director-singer Eleanor Reissa who performed both solo and backed up by the ear-shattering, kishke churning pyrotechnics of Klezmatics founder Frank London and the Klezmer Brass All Stars.
Sponsored by The American Society for Jewish Music and The American Jewish Historical Society, the only calm, soft spoken moments were the welcoming remarks by ASJM concert chair Hadassah Markson and — briefly at piano and mic — its president Michael Leavitt.
Following Reissa’s reading [in English) of I.B. Singer’s ”The Squire” from his “The Power of Light: Eight Stories for Hanukkah”, Reissa, in a sexy short sleeveless black dress, posited: ”Why can’t there be 357 days of Hannukah? How can we carry this message forward? My best Chanukah gift is that I am with these guys.!” And then Reissa and the “All Stars” were off and running.
“I was born in a small shtetl with groz (grass) un beymalakh (trees) and children playing in the street — Brooklyn!” (Applause!) “Yiddish was my first language. Engllish I don’t speak so good” joshed Galitzianer accented Yiddish-speaking Reissa — a Tony nominated director, award wining playwright [“The Last Survivor”] and choreographer who boast a 30-years career in both Yiddish and English theater.
“I always thought there were two kinds of Jews—happy Jews and sad Jews… not the most optimistic people, but full of life…and I realized that the happy Jews [in Brooklyn] were the Italians! My mother came from I.B. Singer’s town Bilgorai and spent the war years in Tashkent [Uzbekistan].” Then, switching channels, Reissa declared: “I’m going to sing a Jewish song about being happy—but not too happy.” Intermittently she would follow a Yiddish comment with a spoofy aside that she would translate — “for my Swedish, Flemish, Pashtun friends… in the audience… who don’t understand Yiddish.”
Invoking the now gone grand divas of the Yiddish theater—“Reyzl Bozyk, Shifra Lerer, Mina Bern”—Reissa sang the classic Yiddish lament—“Farges mir nit”— do not forget me! After interpreting a song about “not so nice girls” written by Molly Picon, she lamented: “When Molly Picon gets a ‘who’? we might as well pack it up.” She also served up a nostalagic Yiddish rendition of “I Love Paris”.
The audience was enraptured and transported to other times and places-The Lower East Side, a shtetl, a Catskills bungalow or grand hotel— as Reissa churned out the oldies and goodies [in Yiddish]. Among the standouts—“Bei Mir Bistu Sheyn” (To me You are Beautiful) made famous in its English version by the Andrews Sisters) and for the finale— the classic Ladino Chanukah song about “the eight candles”— ‘Ocho Candelitas’.
For nearly two hours Reissa and Grammy-award winning trumpeter London with his “kapelie” Aaron Alexander (drums), Ron Caswell (tuba), Brian Drye trombone), Patrick Farrell (accordion) and Michael Winograd (clarinetist), took the audience on a unforgettable, joyful Chanukah journey. Post concert — what else but (zudik, heyse — sizzling hot) — latkes in the lobby.
Read more: http://forward.com/the-assimilator/327398/eleanor-reissa-and-klezmer-brass-all-stars-whoop-it-up-for-hanukkah-finale/#ixzz3wO5kwMi8
The Latest Issue of Musica Judaica
The new issue of Musica Judaica (Volume 20 is now available.
Included in this volume are articles on Cantor Abraham Baer and the Gothenburg Synagogue (his influential Baal T'fillah is on the cover); a very important inventory of Shoah songbooks; memorial tributes to singer-songwriter Debbie Friedman, Yiddish archivist Chana Mlotek, and past ASJM president, composer Jack Gottlieb. Also there are two interesting articles about doing field research as a participant as well as an observer.
Musica Judaica is Included as a part of membership dues in the American Society for Jewish Music for 2014-15.
Included in this volume are articles on Cantor Abraham Baer and the Gothenburg Synagogue (his influential Baal T'fillah is on the cover); a very important inventory of Shoah songbooks; memorial tributes to singer-songwriter Debbie Friedman, Yiddish archivist Chana Mlotek, and past ASJM president, composer Jack Gottlieb. Also there are two interesting articles about doing field research as a participant as well as an observer.
Musica Judaica is Included as a part of membership dues in the American Society for Jewish Music for 2014-15.
Membership for 2015-16
Your membership dues are an essential part of the funding that allows the American Society for Jewish Music to continue to operate. Membership dues support the annual Chanukah Concert and our contemporary concert Music in Our Time, among others during the season. The sessions of the Jewish Music Forum, both at home and "On the Road" are also supported by dues from members. And, importantly, the information and access we provide without charge to the St. Petersburg Score Collection, the Charlie Bernhaut Collection of Jewish and Cantorial Recordings, as well as a host of other activities and services which help keep Jewish music alive. You can join the American Society for Jewish Music or to renew your membership online, or download the membership form and mail it in.
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Tel: 212-874-3990 / Fax: (212) 874-8605 / [email protected]
Tel: 212-874-3990 / Fax: (212) 874-8605 / [email protected]
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Site last updated January 3, 2016
Site last updated January 3, 2016